Sunday, February 28, 2010
Saturday, February 27, 2010
Mahagiri, Kireet Khurana, 1994
Charming animation from India about an elephant with a hand on its trunk. Sorry, no subtitles.
Friday, February 26, 2010
Wind Along the Coast, Ivan Maximov, 2003
Innocent, lovely surrealism from the always wonderful Ivan Maximov. Music by Chick Corea.
Labels:
2000s,
Ivan Maximov rules,
Russia
Thursday, February 25, 2010
The Ladybugs' Picnic. Bud Luckey, 1971
Labels:
1970s,
ChildrensTelevisionWorkshop,
USA
Wednesday, February 24, 2010
Drux Flux, Theodore Ushev, 2008
Labels:
2000s,
Canada,
the National Film Board of Canada
Tuesday, February 23, 2010
The Monk and the Fish, Michael Dudok deWit, 1994
Labels:
1990s,
Netherlands
Monday, February 22, 2010
Sunday, February 21, 2010
Saturday, February 20, 2010
Friday, February 19, 2010
Passion, Jozsef Nepp, 1961
Hungarian short regarding a man exiled from Flavor Country.
Note the amazing Marcell Jankovics is one of the animators.
Note the amazing Marcell Jankovics is one of the animators.
Thursday, February 18, 2010
Zoopsie,Jacques Giraldeau, 1973
Experimental stop-motion strangeness.
Labels:
1970s,
Canada,
stop motion
Wednesday, February 17, 2010
Tuesday, February 16, 2010
Elephant and Pug, Panteleimon Sazonov and Lamis Bredis, 1941
Early Disney-inspired animation from Soyuzmultfilm.
Monday, February 15, 2010
The Bats, Jim Trainor, 1999
Labels:
1990s,
hand-drawn,
USA
Sunday, February 14, 2010
Ah L'Amour, Don Hertzfeldt, 1995
For Valentine's Day, an appropriate cartoon from the always cheery Don Hertzfeldt.
Saturday, February 13, 2010
Battleground, Mikhail Titov, 1985
Stylish interpretation of a short story by Stephen King, from Ukranian studio Kievnauchfilm.
Friday, February 12, 2010
About Crayfish, Valentin Olshvang, 2003
If you are the sort that watches cartoons while you are at work (and I bet you are, you naughty person) be advised that this animation contains nudity.
Lovely, painterly nudity, but I wouldn't count on your HR department to make that distinction.
Part one:
Part two:
Lovely, painterly nudity, but I wouldn't count on your HR department to make that distinction.
Part one:
Part two:
Thursday, February 11, 2010
Riki-Tiki-Tavi, Chuck Jones, 1975
One more and I'll stop.
Another childhood favorite, despite the fact that I love snakes. Based on a story by Rudyard Kipling.
Another childhood favorite, despite the fact that I love snakes. Based on a story by Rudyard Kipling.
Labels:
1970s,
Chuck Jones,
USA
Wednesday, February 10, 2010
High Note, Chuck Jones, 1960
A more traditional Warner Brothers cartoon that still shows off his visual talent.
Jones was an incredibly versatile visual director. The cleverness of his characterizations is so compelling that you don't often hear about how absolutely great his cartoons looked, which is something I'm a bit enamored of at present.
In case you couldn't tell.
Jones was an incredibly versatile visual director. The cleverness of his characterizations is so compelling that you don't often hear about how absolutely great his cartoons looked, which is something I'm a bit enamored of at present.
In case you couldn't tell.
Labels:
1960s,
Chuck Jones,
Saturday morning every day,
USA
Tuesday, February 9, 2010
The Dot and the Line: A Romance in Lower Mathematics, Chuck Jones, 1965
I'm gonna change things up here and post some Chuck Jones.
Labels:
1960s,
Chuck Jones,
USA
Monday, February 8, 2010
The Bear That Wasn't, Chuck Jones, 1946
More Chuck Jones!
Labels:
1940s,
Chuck Jones,
USA
Sunday, February 7, 2010
Now Hear This, Chuck Jones, 1962
Labels:
1960s,
Chuck Jones,
USA
Saturday, February 6, 2010
Peter and the Wolf, Suzie Templeton, 2006
Oscar winner for Best Animated Short Film, 2008
Part One
Part Two
Part Three
Part Four
(Thanks, Betsy!)
Part One
Part Two
Part Three
Part Four
(Thanks, Betsy!)
Labels:
2000s,
animatrix,
Oscar,
stop motion,
USA
Friday, February 5, 2010
Thursday, February 4, 2010
Linda und Lorna in Morgen Roete, Mariola Brillowska , 1999
If you need more of Mariola Brillowska, you can purchase a DVD here.
Wednesday, February 3, 2010
Agonie, Benedict Rugar, 2009
Perfectly normal black and white short by Benedict Rugar.
Tuesday, February 2, 2010
La Prisonnière, Rene Laloux and Phillipe Caza, 1988
this lovely short was meant to be a sketch in preparation for a feature that was ultimately never produced.
Monday, February 1, 2010
Ad Rem, Ferenc Cakó, 1989
Labels:
1980s,
Hungarian,
sand,
stop motion
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