Teacher's Pest, I. Sparber, 1950

The Booze Hangs High, Hugh Harman and Rudolf Ising, 1930

Susie the Little Blue Coupe, Clyde Geronomi, 1952

Ben and Me, Hamilton Luske, 1953

The Crashers and The Snappers, Matt Semke, 2014

We interrupt this string of old Disney posts because people I know did something beautiful.



Music video by Matt Semke for Breakaway.

The Little House, Wilfred Jackson, 1952

Woodland Cafe, Wilfred Jackson, 1937

Health for the Americas: The Unseen Enemy, 1945

The Saga of Windwagon Smith, C. August Nichols, 1961

Paul Bunyan, Les Clark, 1958

Adventures in Music: Toot Whistle Plunk and Boom, Ward Kimball and C. August Nichols, 1953

Adventures in Music:Melody ,Ward Kimball and C. August Nichols, 1953

Quand tout est calme appelle la police, Alexandre Fatta, 2014

"When all is quiet, call the police."

NYC, Jeff Scher, 1976

A Touch of Deceit, Michel Gagné, 1986

Synethesia, Michel Gagné, 2014

In the summer of 2013, composer Gheorghe Costinescu commissioned artist Michel Gagné to create an animated abstract visualization based on his 1973 work, "Dots, Lines, and Patches for recorded electronic sounds". This film is the result.



Via Cartoon Brew

Infection, Vincent Dobbel, Mathieu Maurel, and Jerome Ponzevera, 2010

But I'm A Nice Guy, Scott Benson, 2013

A quick editorial cartoon about the intersection of self-pity, entitlement, rape, territoriality, misogyny and fear of women. You see it all over the place online in the form of Men's Rights Activists (of whom there are a few reasonable non-misogynists), Men Going Their Own Way, Pick Up Artists, and dudes touting the "Red Pill", because The Matrix is a good movie. Look any of these up if you have the stomach for it. These are extreme examples, but watered-down forms of these ideas are everywhere.
In lurking their blogs and youtube channels for a while, I've noticed that beyond the standard patriarchal chauvinism there is this deep fear of women - what they will do to me, how they will reject me, how they will use me, how they are changing society in a way that does not favor me, how they are making men into something I don't like, how they are making themselves into something I don't like, that they won't give me what I want, and that they won't give me what I think is rightfully mine. This goes beyond fear of feminism- this is fear of women at its purest. And that, to quote a puppet, leads to anger and hate. It's sad. - Scott Benson

Fat, Gary Fouchy,Yohann Auroux Bernard and Sebastien De Oliveira Bispo, 2011

Trouble In Paradise, Shane Collins, 2004

Fugu, Arthur Phillipe, 2012

One Rat Short, Alex Weil, 2006

Umbra, Malcolm Sutherland, 2010

Hamlet, György Kovásznai, 1967

Title sequence for ABCs of Death 2, Wolfgang Matzl, 2014

Wolfgang Matzl, you might recall, submitted a short for "ABCs of Death 2." M is for Meat did not receive nearly enough votes to be considered for inclusion in the film, but it must have made a memorable impression, because Matzl was commissioned to make this delightfully macabre title sequence.

ABCs Of Death 2 title sequence from wolf matzl on Vimeo.

Film Muffler, Miho Yata, 2014

Music by Mie Yanashita.

Egao (The Smile) Makoto Shinkai, 2003

Music video for Hiromi Iwasaki.

Brain Lapse, Jake Fried, 2014

There's Something In The Attic, Lee Hardcastle, 2014