Charles-Emile Reynaud
presented this piece at his Théâtre Optique in 1892 - the first presentation of a projected moving picture show, using a modified version of his invention, the praxinoscope:
In 1888, (Reynaud) perfected a large scale projection version, that was similar in design to the projectors that would be used for cinema projection a few years later. Glass plates, individually painted by Reynaud himself, were mounted in leather bands. Each of the bands were connected by a metal strip with a hole through it which allowed it to locate on a pin on the rotating drum and align the image with the projecting lantern. By mounting the connected image strips on a pair of wheels similar to modern film reels, Reynaud was able to create a continuous series of moving images rather than restricting himself to 12 images, as had been the limit previously.
Here is a virtual reconstruction of Reynaud's device:
In 1888, (Reynaud) perfected a large scale projection version, that was similar in design to the projectors that would be used for cinema projection a few years later. Glass plates, individually painted by Reynaud himself, were mounted in leather bands. Each of the bands were connected by a metal strip with a hole through it which allowed it to locate on a pin on the rotating drum and align the image with the projecting lantern. By mounting the connected image strips on a pair of wheels similar to modern film reels, Reynaud was able to create a continuous series of moving images rather than restricting himself to 12 images, as had been the limit previously.
Here is a virtual reconstruction of Reynaud's device:
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